The Beatles

The Beatles

Style marker

Mordents

Mordents and turns are common embellishments for Lennon [...].

Walter Everett, The Beatles as Musicians, Vol. 1 (2001), p. 72

Many Beatles songs written by John Lennon contain mordents in the vocal melody: a note briefly ornamented by an adjacent scale degree before returning to the original note. He uses them especially often near the ends of phrases, where they're followed by a downward resolution to the tonic.

Transcript of a line from John Lennon/The Beatles's 1963 song Ask Me Why.
Ask Me Why (1963)
Transcript of a line from John Lennon/The Beatles's 1963 song Please Please Me.
Please Please Me (1963)
Transcript of a line from John Lennon/The Beatles's 1963 song Do You Want To Know A Secret.
Do You Want To Know A Secret (1963)

These ornaments are common in many styles of music, but they distinguish Lennon from his bandmates Paul McCartney and George Harrison, who use them much less often.

References in later music

The Beach Boys

It was clear that the Beach Boys were listening to the Beatles in 1964; [...] [Brian] Wilson adopted Lennon's mordent in such songs as "Don't Worry Baby" and "You're So Good To Me."

Walter Everett, The Beatles as Musicians, Vol. 1 (2001), p. 276

Transcript of a line from The Beach Boys's 1964 song Don't Worry Baby.
The Beach Boys' Don't Worry Baby (1964)
Transcript of a line from The Beach Boys's 1965 song You're So Good To Me.
The Beach Boys' You're So Good To Me (1965)
Inheritance

Single falsetto note

[Little Richard] would say, 'I taught Paul everything he knows'. [...] I had to admit he was right.

Paul McCartney, Twitter (2020)

Paul McCartney sometimes sings a single note in falsetto, in imitation of Little Richard who did it before him.

Transcript of a line from Paul McCartney's 1969 song Oh Darling.
Oh Darling (1969)

Related

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